Writing About Hope
I didn’t set out to write about hope, not consciously. Yet early reviewers of The Sunflower House call it a hopeful book. As it turns out, the reason why hits really close to home. (This one’s for you, mom. β€οΈ)
I didn’t set out to write about hope, not consciously. Yet early reviewers of The Sunflower House call it a hopeful book. As it turns out, the reason why hits really close to home. (This one’s for you, mom. β€οΈ)
What’s your muse? For me, itβs always been music. Music is the most reliable way to tap into the emotions I need to write honestly.
When it comes to crafting voice, emotion is even more important than technique. You have to be in touch with your MC’s joy and pain.
More than 200 rejections over 20 years? Yeppers! Itβs been a long, wild, winding road to publication.
Taking a deep dive into research always helps me craft an authentic voice for my characters, because it gives them the freedom to move through a world in full color.
What do I love about my local library? Too many reasons to count, but here’s a starter list:
Rejection is often uncomfortable, but if you’re comfortable you’re probably not growing. Feedback, even when it feels brutal, is essential to improve.
Are you a Plotter or a Pantser or somewhere in between? Turns out this devoted Pantser might actually be–gasp–a Plantser!
How do you write when commitments are pulling you in a half dozen directions? That’s the question I have this week. Not the answer, mind you. Only the question.
Today we’re tackling an exciting way to grab their attention: Twitter pitch parties.